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Marvel Studios I May Not Born In Arizona But I’m A D Backs Fan Where I Am 2023 Shirt . delivered another round of intriguing and layered villains in the MCU’s second Disney+ show of 2022, Iman Vellani’s Ms. Marvel, which completed its run in July. The series ended with an all-out battle against the Department of Damage Control, with Kamala Khan fully realizing her potential as she showed her classic embiggening powers from the comics. But before that, she had to get back to her own time after helping to save her grandmother, all while taking on a powerful group of interdimensional travelers in the Clandestines.

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That fight ended with the Clandestines seemingly meeting their end, as they turned completely to skin and bones in trying to get back to their own world through the Veil in Episode 5 I May Not Born In Arizona But I’m A D Backs Fan Where I Am 2023 Shirt . There was initially some confusion about the villains’ fate after that moment though, with fans wondering whether there was the slightest chance of a Clandestine return in some form and some of the Ms. Marvel team even worrying about how the episode would land. One of the show’s leading VFX artists has now made it definitively clear what happened to Najma and her followers. In an exclusive interview with The Direct’s Richard Nebens, Ms. Marvel VFX Supervisor Kevin Yuille confirmed whether there was a chance the Clandestines could return after their supposed deaths in Episode 5. While discussing the crystallizing effect that came through in the Veil scene, he confirmed that the team didn’t want the shot to look like the Clandestines “were going back to their world” as they interacted with the Veil. After going through a few different versions of visuals for the scene, Yuille confirmed that the effect was meant to confirm that the villains “absolutely…did not make it:” “As far as the crystalizing, that’s another thing that had gone through so many versions. There was this decision that, for storytelling, they didn’t want them to look like they were going back to their world. So, if we broke them up like hard light and they break up and they turn into these pretty little dots, it almost looks like ‘They made it! Oh, they’re home!’ So they’re like ‘No! We gotta make sure they look dead!’ It’s tough to do a shot like that, and you worry about looking cartoon-y, but that was for storytelling, to say absolutely, 100%, they did not make it.”