Never underestimate a woman who understand baseketball and loves Kansas Jayhawks signatures shirt

Sevigny is not one to follow a crowd Never underestimate a woman who understand baseketball and loves Kansas Jayhawks signatures shirt . Where her Hollywood peers will play it safe, the actress readily leans into quirky fashion ideas; recent experiments in personal style include the babushka scarf and the granny-chic slingback, both of which she pulled off with aplomb. So it comes as no surprise that the actress would bust out yet another original outfit—this time a cool girl’s take on suiting—upon arriving in Nice, France for the Cannes Film Festival today.

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Seen just outside her hotel, Sevigny looked fabulous in a pinstriped two-piece by Mugler that featured a boxy blazer and tight-fitted shorts Never underestimate a woman who understand baseketball and loves Kansas Jayhawks signatures shirt . (Unexpected suiting happened to be a major trend at the Fall shows, so she’s naturally one step ahead there.) The actress dressed up the playful style with a classic white button-up. As for her accessories? Those were extremely on point, too: she carried a tiny quilted bag and square-toe loafer pumps with an ornate heel. (Eclectic, but still polished.) Meanwhile, wire-framed sunglasses and gold hoops finished off the ensemble. Looks like Cannes is officially off to a strong start.Last time FKA Twigs performed as part of New York City’s Red Bull Music Festival four years ago, she took to the stage in a massive hangar space in Brooklyn surrounded by ten dancers who were all decked out in gothic, club-ready Alexander McQueen looks. It’s an undeniably hard act to follow, but the British singer may have one-upped herself this past weekend with her new show, “Magdalene.” Fans were treated to a sneak peek of the spectacular costumes, designed by rising London fashion star Ed Marler, thanks to her stylist Matthew Josephs. He posted an Instagram image of twigs in as a modern day Marie Antoinette, wearing a full taffeta silk ensemble in rehearsals, what he described as a “shirt x robe à la Française.”
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