It’s definitely contemporary You Say Villain Like It’s A Bad Thing shirt. she says of the brand. A signature motif of Liandra Swim’s one- and two-pieces are their graphic prints, which Gaykamangu creates digitally herself. Her “dotted prints” are a twist on dot art, a popular form of painting that originates from indigenous tribes in Australia. Many of the prints have a deeper meaning behind them that acknowledge her tribe’s history. That style really represents the changes to indigenous Australia post-colonialism,” she says. “The blue represents the water, because it was via our water and our oceans that those changes came.” During the design process, Gaykamangu says she also focuses on incorporating colors and prints that will complement a variety of skin tones. “I’m always thinking about my canvas, which is women,” she says.
You Say Villain Like It’s A Bad Thing shirt, hoodie, sweater, longsleeve and ladies t-shirt
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[[mockup_2_|_Classic Ladies]]
[[mockup_3_|_Unisex Sweatshirt]]
[[mockup_4_|_Long Sleeved Tee]]
[[mockup_5_|_Unisex Hoodie]]
Liana Satenstein: I like the idea of small labels and individuals but when masks are priced so high by a large clothing company? And who knows where they are made. Chioma Nnad You Say Villain Like It’s A Bad Thing shirt. Same, I’m glad that young designers got a head start on this. And I’m only buying from small, local mask makers. Emily Farra, senior fashion news writer: I think a lot of the hesitation definitely stems from the inconsistent narrative around masks. Less than two months ago, the CDC literally told us not to wear one at all—not because it wouldn’t help, but because they knew the hospitals were going to run out. And the fact that so many people don’t have access to masks at all makes me feel uneasy about “fashion masks.” Hospitals in NYC seem to be better equipped now, but other front line workers—at grocery stores, pharmacies, taxi drivers, etc—do not have access to masks. and i’ve heard there are major shortages at nursing homes. Steff Yotka, fashion news and emerging platforms editor: To go back to Sarah’s point about unease about fashion mask-making: I think it’s important to be able to make an aesthetic choice about what your mask looks like, especially now that it seems like we will be wearing them for a long time. But masks becoming a status symbol is tricky territory to me—we’re wearing them for our health. Not to flex.
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